Setting up an argument
Paragraph 1 -
Memphis Group: drew inspiration from pop art and art deco to produce post modern design
- Article: "Has postmodernist design eaten itself ?"
- ^ ab "Memphis – Product + Furniture Designers (1981–1985)". Design Museum.
- ^ Möbel, Memphis
- ^ Pellegrin, Bertrand (January 15, 2012). "Collectors give '80s postmodernist design 2nd look". San Francisco Chronicle.
- ^ Fox, Imogen (July 4, 2011). "Christian Dior shows first haute couture collection since John Galliano snacking". The Guardian. London.
- ^ "Angela Missoni quotes Memphis as a reference for her jacquards". style.com.
- ^ Glancey, Jonathan (March 22, 2002). "Love it or loathe it?". The Guardian. London.
- Sparke, Penny (1988). Italian Design: 1870 to the Present. London: Thames & Hudson. ISBN 0-500-23531-7
Structuralism
Post Structuralism
Derrida and Deconstruction
Cubism
Neuism
Futurism
Dadaism
Capitalism
Paragraph 2 - Parody & Pastiche
Paragraph 3 -
Adhere to function or abide towards social conventions and idiosyncrasies?
Modernist principles within graphic design
Metanarratives
Massimo Vignelli
Josef Muller Brockman
Jan Tschichold
Wolfgang Wenigart
Helvetica Documentary - Extra Scenes
sagmeiser and walsh website forum arguement trends do have a place within design
Paragraph 4 - Explore Postmodernism's place within current society
Explore the uses of the grid system within modernist typographic design and the postmodernist ideologies of later rejecting it. Why it was established and why it was important to break free from its reigns.
Modernism, an exhausted practice
Avant Garde Postmodernist Design
Creative freedom, breaking free from the rules and authority of modernism
Stagnant modernist design and the need to move on
Modernist ideologies must be taken into consideration, but rules must be broken in order to create truly innovative design
Decontextualisation
Conclusion
Use Jstor before we break up on college wifi
29th January is the draft deadline.
Use semiotics lecture for image analysis
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